{"id":5441,"date":"2023-10-16T07:29:15","date_gmt":"2023-10-16T14:29:15","guid":{"rendered":"https:\/\/handweavingacademystatic.memberhost.io\/?p=5441"},"modified":"2023-10-16T09:18:44","modified_gmt":"2023-10-16T16:18:44","slug":"the-two-primary-rule","status":"publish","type":"post","link":"https:\/\/handweavingacademy.com\/the-two-primary-rule\/","title":{"rendered":"How to choose colors that stay bright in handwoven cloth"},"content":{"rendered":"\n
One of the challenges in weaving is brilliantly colored yarns that turn into a dull color when woven together. This can produce fascinating results…but very often, it’s not what you anticipated or wanted.<\/p>\n\n\n\n
If this is happening to you, how do you choose colors avoid getting “muddy” cloth?<\/p>\n\n\n\n
It turns out to be quite simple.<\/p>\n\n\n\n
The Two-Primary Rule can be broken down into two parts:<\/p>\n\n\n\n
Put another way:<\/p>\n\n\n\n
IF your draft blends warp and weft colors, AND IF you want your cloth color to stay bright, choose your warp and weft colors from the same two-primary segment shown in the wheel below. They will blend into a color that\u2019s just as bright as the original colors were.<\/p>\n\n\n\n
That is if you mix yellow and red, or purple and blue, or cyan and green, you\u2019ll get an equally bright color.<\/p>\n\n\n\n
If you mix colors from DIFFERENT segments, you\u2019ll get a duller color. The further apart the colors are on the color wheel, the duller the mixed color will become.<\/p>\n\n\n\n