As I’ve been working on updating the courses for the Color Editor and its Gradients Editor, I’m also working on learning even more about the Draft Editor to put together a course on it.  This means I am taking our courses and focussing on using the Draft Editor to complete the exercises – and boy, oh boy – what fun I’m having! For some context, I consider myself a competent...

If you’d like to figure out the fiber content of a mystery yarn, the quickest and easiest approach is to do a burn test. A burn test is just what it sounds like: you light a piece of yarn on fire and record the results. Things to watch for include: You’ll find any number of burn charts online, most of which are designed for fabric rather than yarn. I compiled...

Sometimes creating handwoven fabrics feels like wrestling mischievous imps. A project that looks gorgeous in the initial sketch, or in a weaving software simulation, turns into a muddy mess when woven. A garment that looked great while you were sewing it blurs into shapelessness from across the room. Figuring out what happened can feel hopeless. Many times, though, the problem is pretty simple: You’ve designed at the wrong scale. Your...

Need to find the sett for a draft that isn't plain weave or twill, or in an unfamiliar yarn? Here's how to calculate it.

Need to calculate sett for an unfamiliar yarn? Ashenhurst’s Rule will help. In this blog post and its sequel, we’ll explain how Ashenhurst’s rule works and how you can apply it in your weaving. What is Ashenhurst’s Rule? Thomas R. Ashenhurst (1849-1902) was the chief instructor in weaving and pattern designing at the Bradford Technical College in West Yorkshire, England in the 1880s and 90s. In the course of writing...

Most weavers have experienced a “weaving slump”. You know – when you just can’t seem to get excited about the project on your loom, your next project, or ANY project for that matter. You might leaf through a weaving magazine without finding any project that piques your interest. You look through websites showcasing kits, but they seem to be all the same things that you’ve woven before. More towels, more...

When a twill’s floats are too long, the solution is to change the float lengths in its tie-up. “But tie-ups don’t have floats!” you say? You’re quite right: a tie-up doesn’t have actual floats. A tie-up is the connections between the shafts and treadles that make the sheds required while weaving, and those connections don’t “float” anywhere.  Even so, the number and placement of those connections directly controls how long...

When Tien and Janet conceived the Academy, one of the most important parts was creating a weaving community where everyone is welcome. A place where everyone can share, learn, and create with each other. One of the ways that the Academy fosters this sense of community, and connection, is through our bi-weekly Peer Support sessions. Academy members are a merry band of weavers, who embody the Musketeer cry of “All...

A question came up in a Facebook group from a weaver who wanted to use a huck threading like this… …but she didn’t have enough heddles on Shafts 1 and 4. If she was working with a four shaft loom, she would be limited to either moving heddles, or adding repair heddles to Shafts 1 and 4. However, in this case, the weaver did have an eight shaft loom, and...